Print to Pixel

Heyy. Please find my new blog for Print to Pixel here! <3

laine.x

my poster.

This is my Final Poster for Task 2:

and that's the end of my blog!

laine.x

poster designs

With my photographs taken of my '100' cut out, creating the poster designs on photoshop was only too easy :)
 
This is the first attempt I made at turning a photograph into a full on poster; unfortunately the photograph was landscape, so I had to use the clone tool to stretch the background up and down the page.. which in my opinion is a giant FAIL. lol

fail! >.<

So I decided to just keep the photo its original size, but place it in the middle of an a2 portrait page; then I added a stroke and an inner glow to the photograph, and added some classy looking Helvetica for the font:

I chose not to make the font out of cut-out because I thought it would take away from the '100' which is designed, after all, to be the focal piece on the poster.

I also made a variant of this poster by changing the stroke's blend to 'dissolve' to see what difference it had:

dissolved blend stroke

You cant really see the difference though unless you see it really big :/

Next I decided to use one of the portrait photos; the one I liked the most from the collection; for a poster design. Like I said before, the photograph isnt completely flawless, you can see the edge of the backdrop.. but if I were to get rid of it, you would lose the composition of the photograph, the '100' would be centralised and I dont think that would look very good at all:

I decided that I would hand-draw some of the text on Adobe Illustrator (using only my MacBook's trackpad may I add, impressed? :P lol), to extend on the sort of craftlike effect given by the '100'.
I used 'Helvetica CY' for the 'Design Museum' font, a nice contrast to my handwritten type next to it.

I tried to play around with the contrast of the photo, to see if I could enhance it in any way, and the results werent very good; everytime I gave more contrast, it made it difficult to see the handwritten black text, and I wanted that text to be black, so I think I will keep the contrast/brightness as it is.

Personally, I think the flaws in my poster's photograph give it character; for example the background paper I used whilst photographing has a few creases in it; well I bet after 100 years any piece of paper would :P!

Finally, I decided to make one more alteration...

The position of the first half of handwritten text.. it just gives the poster more flow, and therefore more personality!

laine.x

photography for my poster

Much like the photographs of my 3D paper sculpture, I had to consider many factors when taking them, in order to ensure that I get the best possible photographs for my poster. Factors such as the aperture, shutter speed, ISO, composition (rule of thirds, leading lines etc) and lighting.

Like last time, the first photo I took was far too dark:

 

So I simply decreased the shutter speed, like last time, to let more light into the camera..

and again..

That's better! But I wasnt entirely happy with how I'd set up the '100', as there are cut outs, it would give more impact in a photo if they were casting a shadow; something which wasnt possible whilst they were lying down...

So I stood them up! (no, I didnt leave them waiting in a cafe lol :P)

The light issue again..

I really like this photograph, however it was taken in landscape, when of course our poster has to be portrait..

I think more shadow and more brightness can be achieved..

This photo is great, but I think the 100 is too close to the centre of the shot; I'd crop it, but I dont want to lose the dimensions..

I thought I'd try this angle out, but I'm not as happy with it as I thought I'd be. Although it is a good photo, I dont think it's perfect..

THIS! is my photo!! The lighting is really good, and the shadows created are cool; the 100 is quite far up the page too which I wanted. The only thing is that there is a glimpse of wall on the right hand side, but I think that is easy to overlook :)


laine.x

poster development - making

I prepared the paper just as I prepared the paper for the sculpture I made in task one, except I was going to be drawing on the design freehand, so I could stick the brown paper on first..

dont worry, i used a spray booth, not the mac lab desk :P

neatening up the edges

I then drew on some birthday related illustrations to cut out of the numbers..

cutting the shapes out

It didnt take as long to cut the shapes out from the 100 as it did for the sculpture, probably because I have become more accustomed to cutting from the paper and also 'cos the shapes were slightly easier to cut out, and not as intricate.

laine.x

existing exhibition posters

As I am going to be creating a poster of my own, I thought I'd do some research into what else is out there by the way of posters. I've already looked at David Carson, but now I think I'll look into actual posters for actual exhibitions.

Starting with one from the Design Museum itself:

I love the simplicity of the poster, it shows only the main image, without any other distraction, on a plain white background, simply stating the name of the museum on the bottom right, and the exhibition name/dates on the left.

The photography in this poster is top notch, there's a great use of leading lines, really making you look from one side of the poster to the next.. you first see the name of the exhibition, then the date, and finally the location. It's really clever.

This poster has a lot of information to display (there is a reasonable paragraph to the bottom left - probably a description of the exhibition), however the image has been kept as the main feature of the poster successfully, due to the use of appropriate font sizes etc.


A lot to think about but I'm now looking forward to designing my poster!

laine.x

david carson

David Carson is an American Graphic designer and typographer, who rose to fame in the 1990s as a result of his innovative work in magazine design and so-called 'grunge typography'.

He was the art director for the magazine 'Ray Gun', an alternative-rock magazine based in California. The magazine was well known for its cutting edge and daring typographic design.

ray gun magazine

jun/july 1997 - blur

 I really like the way the typography is so free and all over the place :)

This 'free-ness' was also apparent in his poster work..

I think the way that Carson uses layering is really interesting too.

awesome!

This poster is really cool, the use of grid structure is particularly good, and I love how the type has been made to look like lights.

David Carson, What a legend!


laine.x